I turn places, stories and cultural details into contemporary patterns. Inspired by architecture, nature, symbols and the traces of the past.
Not a portfolio. A working archive of original patterns and textile compositions, drawn by hand, built through colour, ornament and repetition.
The ornamental scrolls, stylized florals, repeating lattice structures and botanical silhouettes reference centuries of decorative traditions, yet every element has been simplified into a modern graphic vocabulary. Historical motifs become lighter, more geometric and intentionally restrained.
Istanbul was built on seven hills, each crowned with domes and minarets that have shaped its silhouette for centuries. Here I redraw them in my own language, layering photographed monuments with the ornament that has always lived beside them: the tulip, the pomegranate, the peacock. Stone meets pattern, document meets decoration. It is less a portrait of the city than a memory of it, rebuilt through colour, line and repetition.
A four-armed geometry drawn from tilework and stone, built on a single module. As the module repeats, the surface becomes less a grid than a pattern that breathes. The geometry is never rigid; it carries the warmth of the hand.
A speculative world built around Lemonade Dreams' Tiger and Pirana collections. Working with AI, I asked one question: if the patterns we designed came to life, what would that reality look like? The prints leave the fabric and grow into a universe of water, silence and glass. Every image is fully AI-generated; the concept and art direction are mine.
Rather than recreating the past, these patterns create a conversation between eras. They explore how ornament can evolve without losing its cultural memory, where heritage is preserved not through repetition but through transformation.
Here the orchard is not a study of nature but a language of ornament. Ripe forms, leaves and branches are simplified into a repeating rhythm. Abundance is built not through realism but through decorative memory.
A complete decorative alphabet drawn for the baby brand Dream Beybi Dream. Every letter grows its own small world of petals, vines, seeds and creatures, turning language into illustration. The letters became prints, and the prints became pieces small enough to wear. There is a particular joy in seeing a project like this come to life on a child.
A field pattern framed by a border. The inner micro-repeat stays calm and dense while the edge gives the composition a frame and a point of rest. Designed at 150 cm, it reads equally as a scarf and as a fabric.
Ornament resolves into the marks that made it. Pull it apart, let it return.
I draw from places, stories and cultural details, transforming them into patterns for today. Each piece begins with something that catches my eye: an architectural detail, a symbol, a flower, a city, or a fragment of the past, and becomes a new visual story. Designed and drawn in Istanbul.